PAPERS & ESSAYS
︎Garland, M. (2024). Escucha colectiva como un método etnográfico: ‘Memoria Oceánica’ una experiencia sónica como ejercicio de escucha activa. Tsonami Ediciones Valparaiso.(web)
︎Garland, M. (2024). Sonic essay: Attempting to Decolonize Oneself: Sonorities between the ‘West’ and the ‘South’. The February Journal, 03: 139-160. (peer review)
︎Garland, M., Maier, J. C., Taleb, A. (2024). Sensing the City: Decolonial Flânerie and the Traces of Listening and Remembering in Contested Urban Spaces. In: Anna-Sophie Springer & Raul Walch (Eds.), Owned by Others: A Map to Possession Island. Berlin: K. Verlag.175-184
︎Garland, M. (2023). How can sonority be devices for fieldwork? Call for inventions 1.0: Field devices, XCOL Web-Journal.
︎Garland, M. (2023). How can artist diaries be devices for fieldwork? Call for inventions 1.0: Field devices, XCOL Web-Journal.
︎Garland, M. (2022). Sonic essay: Sound map of a migratory journey. FES Journal (From the European South). Transdisciplinary Journal of Postcolonial Humanities, Special Issue 11. (peer review)
︎Correa, C., Garland, M. (2021). Hybrid cultures & diaspora, Double square. In Memoria B.A.S.E Tsonami 2018 - 2021 Colón 2390. Tsonami Ediciones Valparaiso. 38-45. (impreso)
︎Garland, M. (2021). The Calais Jungle: A place of resistance and monumentality. Img journal, 5, 322-34. (peer review)
︎Garland, M. (2021). The Calais Jungle: Entre liminalidad, espacio fronterizo y lugar de possibilidades. Post(s), volume 7 (pp. 68-97). Quito: USFQ PRESS. Revista artística.
(peer review)
POEMS & SHORT STORIES
︎Garland, M., hn.lyonga (2024). This Is Where We Are. Curatorial manifesto of the Poetic Cartography Festival. Performed at the Opening of the Festival, November 15, 2024, at Amo Salon, Berlin-Mitte. This work is published in the (forthcoming) magazine Counter-Mapping, Melanie Garland, Carla J. Maier (Eds.).
︎Garland, M. (2022). Another sky in the north. Written and voice-off recorded at the art residency ISLA, SACO 1.0 Art Bienal, Antofagasta-Chile.
︎Garland, M. (2021). Traces inside a container. Written after my father's death.
︎Garland, M. (2021). A Liminality Machine. Performed in an experimental sound recording part of the session N. 15 of NomadicRadio Berlin/ April 13th 2021.
︎Garland, M. (2020). GATE 14: A journey from Chile to Germany in the beginning of the pandemic. An ethnographic fieldnote, part of the PhD manuscript -not yet published.
︎Garland, M. (2020). Everyday is Sunday. Exhibited in group show Trojan Tactics at INI gallery in czech republic, Curated by Jana Doudova.
︎Garland, M. (2020). Sunset in a Sunday. Exhibited in group show Trojan Tactics at INI gallery in czech republic, Curated by Jana Doudova.