Critical Walking 

My interest in documenting and producing sounds intertwined seamlessly with utilizing walking as a means of data collection during my fieldworks. The intimate relationship between sound and walking was intricately woven into artistic practices and ethnographic methods. Throughout my fieldworks, I critically engaged with walking and its performative nature, drawing upon concepts such as Walking Art, sonic and critical walking, Decolonial Flânerie, dérive, sensobiographical walking, water walks, and Audio walks artifacts—approaches that I experimented in my practices, with students in my teachings and with Amo collective Berlin as a form of multisensorial and collaborative ethnography.

_{© Pablo Hassmann, Inti Gallardo, Melanie Garland, L'Aquila Reale}